Just before I finished these posts there's word that Diamond Dave is hanging up his performing career after his upcoming dates in Las Vegas around New Years. I hate to see him go, but he's a smart guy with lots of interests. His cartooning is really cool. I hope he writes a continuation of Crazy From the Heat as I loved that book.
As I was doing this I learned that one of my favorite writers, Chuck Klosterman, had done a countdown of every Van Halen song over at Vulture. It's paywalled since it's New York Times so I haven't been able to read the whole article, but I noticed we shared the same number one track. It's pure coincidence, but not surprising. His favorite Sammy era song was "5150" which is also my favorite one.
10. "Light Up the Sky" from Van Halen II. This one just cooks for me. Filled with wolves, crazy visions, and children lighting up the sky. This is one that might have been used if Van Halen had wrote all of the music for the Over The Edge film, but it was not to be.
9. "Jamie's Cryin'" from Van Halen. This is the only track from the debut that was written in the studio. I guess it's the closest to a pop song from the debut, but still, I think the tune has a ferocious edge underneath the keening background "oh whoa whoa's." When I first started going to the roller skating rink in 6th grade I met a couple of older girls. One was named Amy and the other one was named Jamie. It turned out that Amy wasn't really older. She was faking, but Jamie was indeed a freshman in high school. They were very similar looking and I used to get them mixed up all the time, but they would still sometimes be nice enough to skate with me during the couple's only songs. So, now all these years later I always think of that older girl Jamie. And, it was cool that Tone Lōc sampled the song for "Wild Thing, but uncool that Van Halen never saw a dime from it.
8. "Runnin' with the Devil" from Van Halen. A chorus of car horns, then the ominous thud of the bass, followed by Edward raking the strings between the bridge and stop tailpiece on his Ibanez Destroyer before launching into the main riff, then Dave lays down these immortal words "I live my life like there's no tomorrow, all I got I had to steal, least I don't need to beg or borrow, yes I'm living at a pace that kills."
Running with the Devil
7. "Little Guitars (Intro) / Little Guitars" from Diver Down. I just love this masterful piece of music from the intro down to the full song. Dave's tribute to a beautiful señorita comes off heartfelt and true while the slashing guitar notes spark with their own passion. I was thrilled when Eddie brought out the custom mini Les Paul in Nashville on the 1984 tune to perform the song.
6. "Mean Street" from Fair Warning. Eddie takes the bass guitar style of popping and slapping and brings it to his guitar for the introductory notes. It was yet another one of those revelatory jaw dropping moments of guitar genius from Eddie. Then Dave provides some dramatic tough neighborhood lyrics that hipped us all to the fact that Fair Warning was a darker and more dangerous Van Halen.
5. "Ain't Talkin' 'Bout Love" from Van Halen. I know this is one of the easier songs to play on guitar as I had high school friends back in the day who could approximate it pretty well back then. Simple is sometimes the best though. Dave tells us we have to bleed for it if we want it. The opening riff still sends chills down my spine decades later. It's one of the songs that takes you on a journey until you stand on the precipice looking into the edge before kicking up its heels again during the almost manically gypsy or perhaps Russian sounding "Hey! Hey! Hey!" chants at the end. This song remained in the Van Halen setlist until the very end. The 4th and final single from the debut album was meant to be a punk parody, but like anything Eddie ever wrote it ended up sounding like Van Halen. The Van Halen News Desk has a good write-up on the song.
4. "Somebody Get Me a Doctor" from Van Halen II. Oh my! This song swaggers like a heavyweight champion after a first round knockout. The song dates from their club dates and centers on Eddie's funky riffing (parts of which remind me of ZZ Top) and Dave's stratospheric yelps. This song about being high just screams by on Van Halen II in a blink or you missed it time. When they played this one live they would extend the mid-section stop into a great bit of jamming that featured a Cream "I'm So Glad" interpolation like in this performance at Largo in 1982.
3. "Unchained" from Fair Warning. The side two opening salvo of Fair Warning is a statement of purpose. Eddie's guitar sounds massive with bite large enough to consume universes. Dave's lyrics are unabashed confidence "here's to your thin red line...I'm steppin' over" and he's not asking for permission as it's his chance to fly. We get to hear from Van Halen producer Ted Templeman as he asks Dave to give him a break and this bit was either spontaneous or pre-planned. Either way it works for me. It is the Van Halen anthem of anthems.
Unchained live in Oakland 6-12-81
2. "Dance the Night Away" from Van Halen II. Van Halen brings some harmonic Calypso style to their Latin swinging most perfect of pop songs. This was written in the studio and purportedly inspired by Fleetwood Mac's "Go Your Own Way." Vocal harmonies by Michael Anthony and Eddie sweeten the honey pot and Dave keeps his yelps to a minimum. It hit number 15 on the Billboard Hot 100. It should have hit number 1. How can one resist the "Oooh baby baby" part? This song was meant to be blasted from your car with the top or windows down while your hair blows in the breeze. It is the full bloom of youth captured in just over 3 minutes.
Dance the Night Away on vinyl most likely the reissue
Dance the Night Away official video
This brings us the number 1 track cut during the original Dave era. The reason I even used the word "track" throughout this countdown is because the number 1 is an instrumental and not a song.
1. "Eruption" from Van Halen. How could it be anything but this track once simply marked "Guitar Solo" on the track sheet. Greg Renoff, author of the must have book Van Halen Rising, found the actual date this history changing burst of music was laid down: September 8, 1977. Ted Templeman and engineer Donn Landee were sitting in the control booth while Eddie was practicing a guitar solo for an upcoming gig. Templeman liked what he was hearing so the solo was recorded. It would slot in on the debut album between "Runnin' with the Devil" and "You Really Got Me." It begins with the heavy drums of Alex paired to a power chord from Eddie. Then Eddie proceeds to brutally attack his instrument in a display of picking and whammy bar noise thrown in too. Some frantic blues notes morph into almost classical sounding array of picked notes before getting whammy barred into submission again with an almost bass note sounding fading groan. So far this is pretty cool, but the world of guitar has yet to be changed. The landscape of guitar playing was soon to be transformed. Eddie once more starts attacking with speed until almost a minute in the notes transform into something that sounds alive as his double tapping harmonics keen and wail in a monstrous sound both beautiful and sorta terrifying. Sure, guitar players had used tapping before. Eddie himself has said he got the idea from seeing Jimmy Page doing it in concert, but Eddie took tapping into outer space. This is the moment when guitar players, both professional and amateur, heads metaphorically exploded and they had to pick their jaws off the floor. The instrumental rides these notes until collapsing into another whammy bar elephant noise before fading away through Eddie's Univox chamber. Eddie would go on to incorporate his tapping technique into many of his solos during songs and it became his trademark. "Eruption" itself was always a big highlight during Eddie's concert guitar solo spot. Whether you liked the band's music or not, "Eruption" was something that could not be ignored.
